architecture

Open House London 2019 - Heatherwick studio & Aga Khan Centre

This year, as part of the annual event Open House London, I chose to visit, among other buildings, Heatherwick studio and Aga Khan Centre. Both in Kings Cross and judging according to time spent queueing to get in, both very popular indeed.

Here is selection of pictures that I took on the day.


UK Pavilion - model concept, Shanghai World Expo 2010

UK Pavilion - model concept, Shanghai World Expo 2010

Acrylic rods with seeds

Acrylic rods with seeds

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Heatherwick studio, London.jpg
Seeds - courtesy of Heatherwick studio

Seeds - courtesy of Heatherwick studio

Acrylic rods

Acrylic rods

Olympic cauldron model concept

Olympic cauldron model concept

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Al Fayah Park model concept

Al Fayah Park model concept

Aga Khan Centre, Kings Cross, London

Aga Khan Centre, Kings Cross, London

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Garden of Light

Garden of Light

Terrace of Discovery

Terrace of Discovery

The Aga Khan Library

The Aga Khan Library

Garden of Tranquillity

Garden of Tranquillity

Atrium sculpture: Rhapsody in Four Colours

Atrium sculpture: Rhapsody in Four Colours

Garden of Life

Garden of Life

Royal Botanic gardens, Kew - Temperate House, London

Last year in May, the largest Victorian glasshouse in the world opened its doors to public once again. Grade I. listed Temperate house in London‘s Kew Gardens undertook long renovation work by architects Donald Insall Associates. The result is a huge success not only in showcasing the engineering prowess of the past and present but essentially in re-opening this space for conserving the collection of rare temperate plants – the main objective of this project.

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Kew Gardens was established by princess Augusta of Saxe-Gotha who commissioned head gardener John Dillman to enlarge botanical garden planned by her deceased husband Frederick, Prince of Wales. The gardens opened in 1759 and one of the oldest plant here is tall tree ginkgo biloba planted in 1762, the year in which the first sandwich was served in London.

Temperate house was designed by Decimus Burton (1800 – 1881) in 1859. This glasshouse was then opened in 1863 but the construction continued for the next 36 years. After the turn of millennium the glasshouse was so run down that it was no longer safe for public to enjoy the beauty of diverse plants and flowers inside. With help of funding from National Lottery, private and commercial donors it was possible to start restoration project that took five years to accomplish with the total amount spent close to £42 million. Most of the plants were removed during painstaking restoration however, nine trees remained in situ as they were too horticulturally significant to risk moving them elsewhere.

The embellishments decorating the glasshouse such as statues and urns were recast to the original Burton‘s design. Burton‘s sense for architectural detail is highlighted in terracotta urns placed in each corner of the central building. These urns are in fact concealed chimneys. Their function was releasing the steam from the old heating system.

This spectacular building comprising five pavilions (with its 4880 meters square) houses about 10 000 plants in diverse habitats like for example China, Himalaya‘s, Africa, Australia or Americas. One of the most interesting plants here is Encephalartos woodii, named after John Medley Wood, curator of Durban Botanic Garden who discovered it in 1895. This palm tree like cycad, brought to Kew in 1899, has also been called the loneliest plant in the world because there are only male specimens left – the female Encephalartos woodii has never been discovered.

It will also be interesting to observe the new growth of plants in Temperate house. There are currently unobstructed views from the upper walkway and it will take some time before most plants reach maturity and therefore it is possible to appreciate the expansive view of space inside of this architectural gem.


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Archeopark Pavlov, Czech Republic

The landscape of Pálava hills is rich in archaeological finds dating to 30 000 BCE. During extensive excavations in region of South Moravia archaeologists unearthed number of Paleolithic settlements as well as great amount of stone and bone tools, artworks, skeletal remains of old stone age humans and animals including mammoths.

Initial idea for a museum was conceived in 2003 and it took further 13 years to design and build this subterranean exhibition space. The concept of underground structure was considered due to number of reasons. The Institute of Archaeology CAS (museum’s commissioning body) wanted to display certain finds in their original context post-excavation. And another reason was that the location chosen for the museum was within protected landscape area.

The museum was designed by architectural studio Radko Kvet and the exhibition combines traditional display with the latest AV technology. The exhibits on show include copy of the most famous find called Venus of Dolní Věstonice (the priceless original is housed in Moravské zemské muzeum in Brno). This small ceramic statuette of a woman was found in nearby village of Dolní Věstonice and has recently been dated to circa 29 000 years BCE. Unlike similar figurines made from mammoth’s ivory found in France, Italy or Russia this one is made from fired clay and therefore significant in broad cultural and technological sense.

The museum building has won number of architectural prizes and its design connects this landscape to our prehistoric ancestors deeper in time.

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Roca London Gallery

During the annual Open House in London I visited this relatively small place with complex design. It is certainly not an ordinary shop.

Roca Gallery London was designed by Zaha Hadid Architects as a gallery and presentation showroom for leading bathroom and tiles manufacturer. This complex and innovative space creates interesting visual experience that may be comparable to moving through a cave or canyon. It is no wonder as the inspiration to the architects was indeed water – its different forms and attributes. The gallery occupies one floor and there are two main features in its design. Firstly, it is continuity and fluidity of space which twists and turns creating one seamless experience of movement through the interior. Secondly, it is the contrast between materials used: GRC (glass reinforced concrete) and GRG (glass reinforced gypsum). The space is not only used for showcasing Roca’s products but also for exhibitions, public lectures and other events.

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St.Conan’s Kirk, Loch Awe, Scotland

When the Callander and Oban Railway was was built in Scotland during the 1870’s, it opened up then largely deserted north shore of Loch Awe. Here, a self-made architect Walter Douglas Campbell (1850-1914) purchased a small island Innis Chonnain where he built house for his mother Caroline Agnes, his sister Helen and himself. Local tradition tells a story that his mother found a journey to nearest church in Dalmally too tiring and therefore Walter decided to build her a church nearby. The original building was finished in 1886. However, Walter was still not satisfied with the work but it took another 20 years before he began to enlarge the original structure. He used local stone and craftsmen to create a unique place with interesting details. After his death his sister Helen took over and supervised finishing of the building. The church as we can see today was consecrated in 1930. Despite its medieval look this church does not adhere to any particular architectonic style. His designs borrow from different periods like Norman, Romanesque and employ Celtic symbolism as well. It even includes elements connected to Iona Abbey (one of the oldest Christian centre in Scotland) in the shape of the window or wooden beams used above doorway that were taken from two distinguished ships HMS Caledonia and HMS Duke of Wellington as timber. It is here the Campbell family is also buried. Recently this church was included in Top 10 buildings built in last 100 years by popular vote as part of Festival of Architecture 2016.

St.Conan's Kirk view from south

St.Conan's Kirk view from south

The nave

The nave

Entrance to church from the cloisters / Window from Iona Abbey

Entrance to church from the cloisters / Window from Iona Abbey